The thing about Railgun is that I can’t not enjoy it. It manipulates me like Margaery Tyrell, pulling dirty tricks like opening with a shot of loli BiriBiri. What am I supposed to do against such power?
When we left off, Saki and crew discover a living archive of knowledge from around the time of the downfall of civilization. As I expected, episode four covers a lot of those events in exposition. Roughly half the episode is devoted to telling us what happened between the awakening of psychokinesis (which happens in 2011) to the five hundred year Dark Age.
Anime has changed. It’s no longer about creativity, storytelling, or artistic expression. It’s an endless series of adaptations made by Koreans on computers. Anime – and its consumption of time – has become a well-oiled machine. Anime has changed. Adapted characters speak adapted dialogue, in adapted settings. Laziness in the writers dilute and simplify their material. Video game adapations. Light novel adaptations. Manga adaptations. Visual novel adaptations. Everything is adapted and copied from another source. Anime has changed. The age of moeblob has become the age of adaptation… All in the name of flooding the scene with highly marketable properties. And he who cranks out adaptations the fastest… prints money. Anime has changed. When the market is totally filled with adaptations… anime becomes routine.
Children Who Chase Lost Voices (Hoshi o Ou Kodomo) is the fifth major film by Makoto Shinkai. It’s a fantasy yarn about Asuna, a young girl living in a rural Japanese village, who visits a certain mountain to listen to signals on an unusual radio. One day she hears a haunting melody, and soon after meets a young man named Shun. This sets off a chain of events leading to Asuna’s discovery of Agartha, a world underneath the earth where the gate between the living and the dead is believed to be.
I suspect something might have happened in this episode, which looked pretty important. We start once again with an out-of-context flashback, an assassination attempt on Empero Jikoutei 430 years before present day. The dude gets stabbed, and… cut to canoeing.
Looks like Super Serial’s back for the time being, but never doubt my ability to not finish what I start. Today’s feature is the first episode of Shin Sekai Yori, the anime adaptation of a novel by Yusuke Kishi. It opens with some horrible things, goes on to do some mysterious things, and ends with a sad thing all set to striking imagery.
I decided to check out BTOOOM! after seeing a post about it on Sankaku Complex (in retrospect, that’s probably not the best way to discover anime). According to the Wikipedia entry, BTOOOM! is about a group of people who are trapped on an island. The only way to get out is to kill each other, because the whole premise is based on a video game. Does that sound familiar? Have we seen this show before?
I suppose there’s a certain inevitability when you release a movie tie-in to an anime series that ended almost 12 years prior. Trigun: Badlands Rumble was probably doomed to mediocrity from the outset – I should have just expected that. There was no reason to make this movie. There weren’t so many loose ends from the series that there had to be a follow-up to tie them all together. After 12 years being off-air (and four years being out of print for the manga) you’d think the story has gone as far as it can go.
Black Rock Shooter originated as an animated music video by Supercell. The OVA adaptation features the eponymous character and tells two stories. The first takes place in the normal world, where Mato starts her first day of junior high. There she becomes fast friends with Yomi, although this friendship becomes strained as time goes on. One day, feeling alienated, Yomi mysteriously disappears. The second story takes place in a dark fantasy world, where a young girl does battle against an unnamed nemesis.